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Dinner is Coming

Don’t miss this acclaimed stage version of Anthony Horowitz’s hilarious novel introducing the Diamond Brothers Detective Agency. Tim is the world’s worst private investigator, so can the help of his clever younger brother Nick be enough to crack their toughest case yet?

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THE PERMANENT WAY

PERFORMANCES

THIS SHOW IS NOW FINSIHED - THANKS TO EVERYONE WHO CAME

CHECK OUT WHAT'S ON NOW HERE

 

TICKETS

Previews

Advance Tickets £15

Standard Class £20

First Class £25

Off Peak Tickets (Tues, Weds, Thurs and Sun):

Advance Tickets £20

Standard Class £25

First Class £35

Peak Tickets (Fri and Sat):

Advance Tickets £25

Standard Class £30

First Class £40

 

RUN TIME

100 mins with no interval

Latecomers shall not be admitted

 

FURTHER INFORMATION

Recommended for ages 14+

To speak to the box office, please call 0844 815 7141 

For access tickets, please call 0333 320 1663

Warning - contains some strong language, refernces to suicide and descriptions of death from real accounts

Entrance to THE PERMANENT WAY is via our Launcelot Street entrance

 

 

Anchor 2

David Hare’s award-winning play roars to life in a provocative new site-specific staging performed in The Vaults, London’s alternative subterranean venue beneath Waterloo Station.

 

“What happened would simply not have happened under British Rail. It wouldn’t have happened. Not in the British Rail days.”

 

Revelatory, witty, and moving, The Permanent Way is an astonishing interrogation of the chaos arising from the botched privatisation of Britain’s railways. Told through the first-hand accounts of those involved at every level, from passengers to Civil Service mandarins, this extraordinary verbatim piece asks challenging questions of responsibility and governmental mismanagement. Have we learned anything from recent history?

 

This first London revival since the play's critically acclaimed run at the National Theatre is directed by Alexander Lass, whose recent credits include 46 Beacon (Trafalgar Studios) and No Man's Land (West End).

 

“A searing piece of documentary theatre”

The Evening Standard

“Hare has made a serious, provocative, dramatically gripping contribution to an argument of urgent interest to us all”

The Times

“This intricately detailed study of a fatal privatisation is that very rare thing: a vitally necessary piece of theatre”

Michael Billington, The Guardian 

 

CREATIVE TEAM

Director – Alexander Lass

Set & Costume – Ruth Hall

Lighting – Rick Fisher

Music & Sound – Roly Witherow

Movement - Siân Williams

Casting – Ellie Collyer-Bristow CDG

Producer – Debbie Hicks

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